Personkort bilde

Kate Maxwell

Professor Musikkonservatoriet
Engelsk flaggikon Samisk flaggikon
77660734
Legg visittkort i kontaktlisten din (vcard)
Tromsø
Krogness veien(Musikk-konservatoriet)
  1. Enheten
  2. Ansatte
  3. Kate Maxwell

Forskning inom rytmisk musikk, middelaldermusikk, multimodalitet, grafisk notasjon, fransk litteratur, forskningskommunikasjon.

Mer info: https://skatemaxwell.wordpress.com/category/publications/

B1 Mus-1508: Musikkhistorie og musikkanalyse 1 (MUAN 1)

B2 Mus-1212: Musikkhistorie og musikkanalyse 2 (MUAN 2)

Masterprosjekt (M1 og M2)

Professor i musikkhistorie, teori og analyse

 

  • Maxwell, Kate. Music in the Dark: Soundscapes in Christiane Ritter's A Woman in the Polar Night. Nordlit 2020. ISSN 0809-1668.s doi: 10.7557/13.5537.

  • Maxwell, Kate; Mittner, Lilli; Stien, Hanne Hammer. CONCEPTUALIZING THE NORTH. Nordlit 2020. ISSN 0809-1668.s doi: 10.7557/13.5703.

  • Maxwell, Kate. The Medieval (Music) Book: A Multimodal Cognitive Artefact. (data) Edinburgh University Press 2019 ISBN 978-1474438131.s 190 - 204.

  • Maxwell, Kate. Multimodality and Memory in the Mise en page of Guillaume de Machaut's Mass. Palgrave Macmillan 2019 ISBN 978-3-030-18334-9.s 177 - 198.s doi: 10.1007/978-3-030-18334-9.

  • Maxwell, Kate; Mittner, Lilli. Multimodality and Gender in Beck’s Song Reader. (fulltekst) Routledge 2019 ISBN 9781138103511.s 304 - 317.s doi: https://doi.org/10.4324/9781315102665.

  • Maxwell, Kate; Benneworth, Paul. The construction of new scientific norms for solving Grand Challenges. Palgrave Communications 2018; Volum 4:52. ISSN 2055-1045.s 1 - 11.s doi: 10.1057/s41599-018-0105-9.

  • Maxwell, Kate. Beck's Song Reader: An Unbound Music Book. Mémoires du livre 2016; Volum 8 (1). ISSN 1920-602X.s doi: 10.7202/1038035ar.

  • Maxwell, Kate. An Analysis of ‘Mode’ in Guillaume de Machaut’s Lay mortel (‘Un mortel lay’, Lay 12). Portal forlag 2015 ISBN 978-82-8314-032-3.s 273 - 293.

  • Maxwell, Kate. When Here Is Now and Now Is Then: Bridging the Gap in Time with "Sumer Is Icumen In". Peter Lang Publishing Group 2015 (7) ISBN 978-3-631-66266-3. ISSN 2190-6386.s 359 - 368.

  • Maxwell, Kate; Simpson, James R.; Davies, Peter V.. 'Performance and the Page'. Pecia: Le livre et l'écrit 2014; Volum 16. ISSN 2295-6131.s 11 - 18.

  • Maxwell, Kate; Simspon, James R.. ‘Page, Performance, and Play: Presence and Absence in Medieval Lyric Transmission and Reinterpretation’. (fulltekst) 2014 ISBN 978-91-976961-6-6.s 144 - 153.

  • Maxwell, Kate. 'Quant j'eus tout recordé par ordre': Memory and Performance on Display in the Manuscripts of Guillaume de Machaut's Voir Dit and Remede de Fortune. Ashgate 2013 ISBN 9781409423935.s 181 - 193.

  • Maxwell, Kate. ‘The Order of Lays in the “Odd” Machaut Manuscript E‘. Liverpool University Press 2013 ISBN 978-0859898706.s 32 - 47.

  • Maxwell, Kate; Mittner, Lilli; Stien, Hanne Hammer. A voyage into peer review. (fulltekst) Research Europe 2020. ISSN 2632-9220.

  • Maxwell, Kate. The Bitextuality of Digitised Manuscripts. Leeds International Medieval Congress 2019 2019-07-01 - 2019-07-04 2019.

  • Maxwell, Kate; Løvhaug, Unni Pia; Aspaas, Per Pippin; Johnsen, Magnar Gullikstad; Heimtun, Bente; Nylund, Per helge. Nordlyset hjemme – Nordlysvitenskap og UiT i 100 år. Nordlyset hjemme – Nordlysvitenskap og UiT i 100 år 2018-11-02 - 2018-11-04 2018.

  • Maxwell, Kate. The Posthuman Pragmatics of the Book: A Multimodal Reading of a Digitised Manuscript. Poznan Linguistic Meeting 2018 2018-09-13 - 2018-09-15 2018.

  • Maxwell, Kate. Lett å være rebell i kjellerleiligheten din: The sexist in the basement of Norwegian hip hop. Musikforskning i dag 2018-06-13 - 2018-06-15 2018.

  • Maxwell, Kate; Greenaway, Jon. Understanding Flow: Difference and Repetition in Norwegian Hip Hop. Nordic Sounds: Making and Unmaking Myths 2018-09-19 - 2018-09-20 2018.

  • Maxwell, Kate; Benneworth, Paul; Siefkes, Martin. Sandpits Can Develop Cross-Disciplinary Projects, but Funders Need to be as Open-Minded as Researchers. (fulltekst) LSE Impact Blog 2018.

  • Maxwell, Kate; Benneworth, Paul. Research Funding is Critical to Societally Relevant Research. Elephant in the Lab 2018.s doi: doi.org/10.5281/zenodo.1415371.

  • Maxwell, Kate; Mittner, Lilli. Multimodal Evangelism, or, Is Everything Really Multimodal? Reflections on Multimodality and Gender. 9th International Conference on Multimodality August 15-17, 2018, University of Southern Denmark Multimodality – moving the theory forward 2018-08-15 - 2018-08-17 2018.

  • Maxwell, Kate. #MeToo #ShePersisted: Understanding society and culture through gender and pop music. Science Slam 2018-02-07 - 2018-02-07 2018.

  • Maxwell, Kate; Mittner, Lilli. Notation and Gender in Beck's Song Reader. Material Cultures of Notation 2018-04-20 - 2018-04-22 2018.

  • Maxwell, Kate. ‘Lett å være rebell i kjellerleiligheten din': The sexist in the basement of Norwegian hip hop. Music and Gender in Balance 2018-04-05 - 2018-04-06 2018.

  • Maxwell, Kate. Kjønnsperspektiver i rytmisk musikk. Lørdagsuniversitet 2018-02-24 - 2018-02-24 2018.

  • Maxwell, Kate; Benneworth, Paul. The construction of new scientific norms for solving grand challenges: Reflections from the Norwegian Idélab research programme. (fulltekst) 2017.

  • Maxwell, Kate; Bischoff, Friederike. Musikalsk innslag under åpning av studieåret 2017/18 Fremføring av verket "(Still) not asking for it" av Kate Maxwell. 2017.

  • Maxwell, Kate; Benneworth, Paul. Sandpits Can Help Researchers Escape Disciplinary Bubbles. Research Europe 2017. ISSN 2632-9220.s 8 - 8.

  • Maxwell, Kate. Mixing It Up: The Place of the Arts in Multidisciplinary Contexts. Podium. FOU-magasin fra Universitetet i Tromsø, Det kunstfaglige fakultet 2017; Volum 11. ISSN 1890-5005.s 16 - 18.

  • Maxwell, Kate. (Still) not asking for it. 2017.

  • Maxwell, Kate. The rebel in the basement: agency and action in Norwegian hip hop. CAMEo Conference: Mediating Cultural Work: Texts, Objects, and Politics 2017-09-06 - 2017-09-08 2017.

  • Maxwell, Kate; Allemano, Carlo. Transmediating Verdi Transmediating Shakespeare: Performing Theory in Macbeth. Transmediations! 2016-10-13 - 2016-10-15 2016.

  • Maxwell, Kate. Beyond Sound, Image, and Text: the (More) Hidden Modes of the Manuscript. New Chaucer Society 2016 2016-07-10 - 2016-07-15 2016.

  • Maxwell, Kate. Music as Spiritual Nourishment (or not) at the Periphery of Page and Sound. International Medieval Congress 2016 2016-07-04 - 2016-07-07 2016.

  • Maxwell, Kate. Music Notation as a Multimodal Artefact. International Musicological Society 2016-07-01 - 2016-07-06 2016.

  • Maxwell, Kate. A Norwegian Experiment in Cross-Disciplinary Collaboration. (fulltekst) 2015.

  • Maxwell, Kate. Bach's Mass in B Minor: A Lecture-Recital. Ishavskatedralen 50-år jubileum 2015-11-20 - 2015-11-20 2015.

  • Maxwell, Kate. Music Notation as a 'Gatekeeper' to Participation. DiscourseNet Congress 2015-09-24 - 2015-09-26 2015.

  • Maxwell, Kate. Multimodality and the Benefits and Limits of Cross-Disciplinary ‘Evangelism’. Second Bremen Conference on Multimodality 2015-09-21 - 2015-09-22 2015.

  • Maxwell, Kate. The Medieval Manuscript: A Multimodal Performance?. Bremen Masterclasses in Multimodality 2015-04-21 - 2015-04-21 2015.

  • Maxwell, Kate. The Posthuman (Music) Manuscript. Approaching Posthumanism and the Posthuman Conference 2015-06-04 - 2015-06-06 2015.

  • Maxwell, Kate; Benneworth, Paul; Imenes, Anders Gravir. Research in the middle: multimodally broadcasting and analysing climate-change research in a Norwegian context. International Pragmatics Research Association Conference 2015, Antwerp 2015-07-26 - 2015-07-31 2015.

  • Maxwell, Kate; Benneworth, Paul; Imenes, Anders Gravir. Research in the Middle: Multimodally Broadcasting and Analysing Climate-Change Research in a Norwegian Context. Multimodality and Cultural Change 2015-06-10 - 2015-06-12 2015.

  • Maxwell, Kate. Discourses of Authorship in the ‘Imaginary Museum’ of Culture. DiscourseNet Belgrade 2015-03-19 - 2015-03-21 2015.

  • Maxwell, Kate. Hide and Flesh and Feeling: A Multimodal Approach to Embodiment in the Medieval Manuscript. MODE Conference: Multimodality – Methodological Explorations 2015-01-15 - 2015-01-16 2015.

  • Maxwell, Kate. ‘Multimodality and the Medieval Manuscript’. Instituttseminar (fremmedspråk og oversetting) 2014-11-20 - 2014-11-21 2014.

  • Maxwell, Kate. ‘Performance and the Page’. Opera and Multimodality Working Group meeting 2014-05-04 - 2014-05-08 2014.

  • Maxwell, Kate. ‘Multimodality and the Medieval Manuscript’. Encompassing the Multimodality of Knowledge 2014-05-08 - 2014-05-11 2014.

  • Maxwell, Kate. ‘Multimodality and the Medieval (Music) Manuscript’. Royal Musicological Association Medieval and Renaissance Conference 2014-07-03 - 2014-07-06 2014.

  • Maxwell, Kate. ‘An Analysis of “Mode” in Guillaume de Machaut's Lay mortel ('Un mortel lay')’. International Medieval Congress, Leeds 2014-07-07 - 2014-07-10 2014.

  • Maxwell, Kate. ‘The Colour of Snowflakes: A Presentation, Installation, and Invitation’. Arctic Modernities 2014-09-16 - 2014-09-18 2014.

  • Maxwell, Kate. ‘When Here Is Now and Now Is Then: Bridging the Gap in Time’. Bridging the Gap between Here and There: Combining Multimodal Analysis from International Perspectives 2014-09-10 - 2014-09-13 2014.

  • Maxwell, Kate. ‘Le sujet digital dans les lais de Guillaume de Machaut. Le Sujet digital: in-scription, ex-scription, télé-scription 2013-11-18 - 2013-11-21 2013.

  • Maxwell, Kate. Multimodality and Medieval Music. Tag Journal (fulltekst) 2013-12-16 - 2013.

  • Maxwell, Kate. Guillaume de Machaut and the Concept of Multimodality. Guillaume de Machaut: Music, Image, Text in the Middle Ages 2013-04-29 - 2013-04-30 2013.

  • Maxwell, Kate. The Curious Case of 'Malgre Fortune': A Case Study in Multimodality. Machaut in the Book 2013-04-11 - 2013-04-12 2013.

  • Maxwell, Kate. Guillaume de Machaut: Secretary, Poet, Musician. By Elizabeth Eva Leach. Ithaca, N.Y.: Cornell University Press, 2011. [xv, 367 p. ISBN: 978-0-80-144933-8. $59.95]. Fontes Artis Musicae 2013; Volum 60 (1). ISSN 0015-6191.s 28 - 29.

  • Maxwell, Kate. Popular Culture in History: A Look at the Middle Ages. Interntational Institute for Popular Culture 2010-02-09 - 2010-02-09 2010.

  • Maxwell, Sheila Kate. Guillaume de Machaut and the mise en page of medieval French sung verse. (fulltekst) 2009.

  • Maxwell, Kate. Performing Notation, Notation Performing. 2009.

  • Maxwell, Kate. The Tree is Known by its Fruit (for Organ). 2009.

  • Maxwell, Kate. Review of R. J. Knecht, The Valois. The Sixteenth Century Journal 2008; Volum 39 (3). ISSN 0361-0160.

  • Maxwell, Kate; Mittner, Lilli; Stien, Hanne Hammer. A voyage into peer review. (fulltekst) Research Europe 2020. ISSN 2632-9220.

  • Maxwell, Kate. The Bitextuality of Digitised Manuscripts. Leeds International Medieval Congress 2019 2019-07-01 - 2019-07-04 2019.

  • Maxwell, Kate; Løvhaug, Unni Pia; Aspaas, Per Pippin; Johnsen, Magnar Gullikstad; Heimtun, Bente; Nylund, Per helge. Nordlyset hjemme – Nordlysvitenskap og UiT i 100 år. Nordlyset hjemme – Nordlysvitenskap og UiT i 100 år 2018-11-02 - 2018-11-04 2018.

  • Maxwell, Kate. The Posthuman Pragmatics of the Book: A Multimodal Reading of a Digitised Manuscript. Poznan Linguistic Meeting 2018 2018-09-13 - 2018-09-15 2018.

  • Maxwell, Kate. Lett å være rebell i kjellerleiligheten din: The sexist in the basement of Norwegian hip hop. Musikforskning i dag 2018-06-13 - 2018-06-15 2018.

  • Maxwell, Kate; Greenaway, Jon. Understanding Flow: Difference and Repetition in Norwegian Hip Hop. Nordic Sounds: Making and Unmaking Myths 2018-09-19 - 2018-09-20 2018.

  • Maxwell, Kate; Benneworth, Paul; Siefkes, Martin. Sandpits Can Develop Cross-Disciplinary Projects, but Funders Need to be as Open-Minded as Researchers. (fulltekst) LSE Impact Blog 2018.

  • Maxwell, Kate; Benneworth, Paul. Research Funding is Critical to Societally Relevant Research. Elephant in the Lab 2018.s doi: doi.org/10.5281/zenodo.1415371.

  • Maxwell, Kate; Mittner, Lilli. Multimodal Evangelism, or, Is Everything Really Multimodal? Reflections on Multimodality and Gender. 9th International Conference on Multimodality August 15-17, 2018, University of Southern Denmark Multimodality – moving the theory forward 2018-08-15 - 2018-08-17 2018.

  • Maxwell, Kate. #MeToo #ShePersisted: Understanding society and culture through gender and pop music. Science Slam 2018-02-07 - 2018-02-07 2018.

  • Maxwell, Kate; Mittner, Lilli. Notation and Gender in Beck's Song Reader. Material Cultures of Notation 2018-04-20 - 2018-04-22 2018.

  • Maxwell, Kate. ‘Lett å være rebell i kjellerleiligheten din': The sexist in the basement of Norwegian hip hop. Music and Gender in Balance 2018-04-05 - 2018-04-06 2018.

  • Maxwell, Kate. Kjønnsperspektiver i rytmisk musikk. Lørdagsuniversitet 2018-02-24 - 2018-02-24 2018.

  • Maxwell, Kate; Benneworth, Paul. The construction of new scientific norms for solving grand challenges: Reflections from the Norwegian Idélab research programme. (fulltekst) 2017.

  • Maxwell, Kate; Bischoff, Friederike. Musikalsk innslag under åpning av studieåret 2017/18 Fremføring av verket "(Still) not asking for it" av Kate Maxwell. 2017.

  • Maxwell, Kate; Benneworth, Paul. Sandpits Can Help Researchers Escape Disciplinary Bubbles. Research Europe 2017. ISSN 2632-9220.s 8 - 8.

  • Maxwell, Kate. Mixing It Up: The Place of the Arts in Multidisciplinary Contexts. Podium. FOU-magasin fra Universitetet i Tromsø, Det kunstfaglige fakultet 2017; Volum 11. ISSN 1890-5005.s 16 - 18.

  • Maxwell, Kate. (Still) not asking for it. 2017.

  • Maxwell, Kate. The rebel in the basement: agency and action in Norwegian hip hop. CAMEo Conference: Mediating Cultural Work: Texts, Objects, and Politics 2017-09-06 - 2017-09-08 2017.

  • Maxwell, Kate; Allemano, Carlo. Transmediating Verdi Transmediating Shakespeare: Performing Theory in Macbeth. Transmediations! 2016-10-13 - 2016-10-15 2016.

  • Maxwell, Kate. Beyond Sound, Image, and Text: the (More) Hidden Modes of the Manuscript. New Chaucer Society 2016 2016-07-10 - 2016-07-15 2016.

  • Maxwell, Kate. Music as Spiritual Nourishment (or not) at the Periphery of Page and Sound. International Medieval Congress 2016 2016-07-04 - 2016-07-07 2016.

  • Maxwell, Kate. Music Notation as a Multimodal Artefact. International Musicological Society 2016-07-01 - 2016-07-06 2016.

  • Maxwell, Kate. A Norwegian Experiment in Cross-Disciplinary Collaboration. (fulltekst) 2015.

  • Maxwell, Kate. Bach's Mass in B Minor: A Lecture-Recital. Ishavskatedralen 50-år jubileum 2015-11-20 - 2015-11-20 2015.

  • Maxwell, Kate. Music Notation as a 'Gatekeeper' to Participation. DiscourseNet Congress 2015-09-24 - 2015-09-26 2015.

  • Maxwell, Kate. Multimodality and the Benefits and Limits of Cross-Disciplinary ‘Evangelism’. Second Bremen Conference on Multimodality 2015-09-21 - 2015-09-22 2015.

  • Maxwell, Kate. The Medieval Manuscript: A Multimodal Performance?. Bremen Masterclasses in Multimodality 2015-04-21 - 2015-04-21 2015.

  • Maxwell, Kate. The Posthuman (Music) Manuscript. Approaching Posthumanism and the Posthuman Conference 2015-06-04 - 2015-06-06 2015.

  • Maxwell, Kate; Benneworth, Paul; Imenes, Anders Gravir. Research in the middle: multimodally broadcasting and analysing climate-change research in a Norwegian context. International Pragmatics Research Association Conference 2015, Antwerp 2015-07-26 - 2015-07-31 2015.

  • Maxwell, Kate; Benneworth, Paul; Imenes, Anders Gravir. Research in the Middle: Multimodally Broadcasting and Analysing Climate-Change Research in a Norwegian Context. Multimodality and Cultural Change 2015-06-10 - 2015-06-12 2015.

  • Maxwell, Kate. Discourses of Authorship in the ‘Imaginary Museum’ of Culture. DiscourseNet Belgrade 2015-03-19 - 2015-03-21 2015.

  • Maxwell, Kate. Hide and Flesh and Feeling: A Multimodal Approach to Embodiment in the Medieval Manuscript. MODE Conference: Multimodality – Methodological Explorations 2015-01-15 - 2015-01-16 2015.

  • Maxwell, Kate. ‘Multimodality and the Medieval Manuscript’. Instituttseminar (fremmedspråk og oversetting) 2014-11-20 - 2014-11-21 2014.

  • Maxwell, Kate. ‘Performance and the Page’. Opera and Multimodality Working Group meeting 2014-05-04 - 2014-05-08 2014.

  • Maxwell, Kate. ‘Multimodality and the Medieval Manuscript’. Encompassing the Multimodality of Knowledge 2014-05-08 - 2014-05-11 2014.

  • Maxwell, Kate. ‘Multimodality and the Medieval (Music) Manuscript’. Royal Musicological Association Medieval and Renaissance Conference 2014-07-03 - 2014-07-06 2014.

  • Maxwell, Kate. ‘An Analysis of “Mode” in Guillaume de Machaut's Lay mortel ('Un mortel lay')’. International Medieval Congress, Leeds 2014-07-07 - 2014-07-10 2014.

  • Maxwell, Kate. ‘The Colour of Snowflakes: A Presentation, Installation, and Invitation’. Arctic Modernities 2014-09-16 - 2014-09-18 2014.

  • Maxwell, Kate. ‘When Here Is Now and Now Is Then: Bridging the Gap in Time’. Bridging the Gap between Here and There: Combining Multimodal Analysis from International Perspectives 2014-09-10 - 2014-09-13 2014.

  • Maxwell, Kate. ‘Le sujet digital dans les lais de Guillaume de Machaut. Le Sujet digital: in-scription, ex-scription, télé-scription 2013-11-18 - 2013-11-21 2013.

  • Maxwell, Kate. Multimodality and Medieval Music. Tag Journal (fulltekst) 2013-12-16 - 2013.

  • Maxwell, Kate. Guillaume de Machaut and the Concept of Multimodality. Guillaume de Machaut: Music, Image, Text in the Middle Ages 2013-04-29 - 2013-04-30 2013.

  • Maxwell, Kate. The Curious Case of 'Malgre Fortune': A Case Study in Multimodality. Machaut in the Book 2013-04-11 - 2013-04-12 2013.

  • Maxwell, Kate. Guillaume de Machaut: Secretary, Poet, Musician. By Elizabeth Eva Leach. Ithaca, N.Y.: Cornell University Press, 2011. [xv, 367 p. ISBN: 978-0-80-144933-8. $59.95]. Fontes Artis Musicae 2013; Volum 60 (1). ISSN 0015-6191.s 28 - 29.

  • Maxwell, Kate. Popular Culture in History: A Look at the Middle Ages. Interntational Institute for Popular Culture 2010-02-09 - 2010-02-09 2010.

  • Maxwell, Sheila Kate. Guillaume de Machaut and the mise en page of medieval French sung verse. (fulltekst) 2009.

  • Maxwell, Kate. Performing Notation, Notation Performing. 2009.

  • Maxwell, Kate. The Tree is Known by its Fruit (for Organ). 2009.

  • Maxwell, Kate. Review of R. J. Knecht, The Valois. The Sixteenth Century Journal 2008; Volum 39 (3). ISSN 0361-0160.

    • [Loading...]

    Medlem i forskergruppe